Reading Comprehension - Reasoning and Comprehension Previous Year Questions

The Arecibo telescope does not resemble what most of us think of when we hear the word telescope. Its reflective surface covers an area of 20 acres, which is quite remarkable. Dangling above it are towers and cables, sub-reflectors and antennas, all of which can be positioned using 26 motors to transmit radio waves and receive echoes with astonishing precision.
From the passage, it can be inferred that most telescopes

The stranger is by nature no "owner of soil" -- soil not only in the physical, but also in the figurative sense of a life-substance, which is fixed, if not in a point in space, at least in an ideal point of the social environment. Although in more intimate relations, he may develop all kinds of charm and significance, as long as he is considered a stranger in the eyes of the other, he is not an "owner of soil." Restriction to intermediary trade, and often (as though sublimated from it) to pure finance, gives him the specific character of mobility. If mobility takes place within a closed group, it embodies that synthesis of nearness and distance which constitutes the formal position of the stranger. For, the fundamentally mobile person comes in contact, at one time or another, with every individual, but is not organically connected, through established ties of kinship, locality, and occupation, with any single one.
What assumptions can be made about the stranger from the passage above?

Amma’s tone in the context of the given passage is that of:

For a painting to succeed, it is essential that the painter and his public agree about what is significant. The subject of the painting may have a personal meaning for the painter or a common person; but there can also be the possibility of their agreement on its general meaning. It is at this point that the culture of the society and the period in question precedes the artists and her/his art. Renaissance art would have meant nothing to the Aztecs, and vice versa. If, to some extent, a few intellectuals can appreciate them both today, it is because their culture is a historical one. Its inspiration is history and all known developments to date.
According to the passage, which of the following is/are NOT necessarily among the attributes needed for a painter to succeed?

“I told you the truth,” I say yet again, “Memory’s truth, because memory has its own special kind. It selects, eliminates, alters, exaggerates, minimizes, glorifies, and vilifies also; but in the end it creates its own reality, its heterogeneous but usually coherent versions of events; and no sane human being ever trusts someone else’s version more than his own.”
What are the different ways in which ‘truth’ can be understood from the passage?